Now newly restored in 4K, Pink Narcissus has returned to hypnotize viewers and remind us of the undeniable impact Bidgood’s had on queer art and culture.
In Invention, an airily shaggy, collaborative piece of improvised, genre-fluid auto-fiction by documentarian Courtney Stephens and actress Callie Hernandez.
It’s official — the United Kingdom has The Penguin Lessons fever. Posters for this thing, depicting…
In “Darkest Miriam,” we follow the eponymous protagonist through her own struggles with grief, as well as her hopes of love along the way.
If you asked me what I wanted to be when I grew up, at 5…
Liquor Bank effectively delivers an inspiring message and Marcellus Cox further proves he’s a director to watch.
MoMI decidedly focuses on experimental, documentary, and international cinema. Here’s a look at the 2025:
A Man and a Woman is quite possibly the cinephile’s ultimate date night movie and most definitely a romance that will win you over.
Like many before, Alex Braverman’s Thank You Very Much takes on the near impossible task of showing who this enigmatic anti-comedian comedy star was.
From SXSW we take a look at Drop, Death of a Unicorn and Slanted!
In this For the Love of Horror, Film Inquiry takes a look at the Public Domain horror space.
Aleksandr Ptushko films represent a style of cinema that feels lost to time. They give a reminder of the kind of creativity, craft, and imagination that filmmaking can have.
A crazy quilt horror comedy like Dead Lover is likely not to everyone’s taste, but this film’s playful, undead spirit is contagious.
Julie Keeps Quiet is a smart and sensitive debut that succeeds in telling a story about abuse of power while empowering, rather than exploiting.
Plankton: The Movie encapsulates a troublesome and growing safeness in kids’ shows that is far better left behind.