Where Kubrick’s 2001: A Space Oddysey was visionary and original, 2010: The Year We Make Contact failed to compete with the monolith that casts quite a shadow.
Lacking the dirsired jump scares and trust in itself, Our House is a film that will now be stuck in limbo, too tame for modern horror audiences and not emotionally satisfying enough for others.
Like Father is not a radical or subversive family comedy, but the cast has good chemistry and the big, tear-jerking moments make an impact.
I Used to Be Normal is a heartwarming reaffirmation of the power of fandom, a heartwarming, non-judgemental documentary that’s not just for boyband fans.
Castle Rock’s Filter is an impeccably scored episode, with enamoring performances by Spacek and Holland, that level out the grooves this mixed bag left behind.
In Green Book, a working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.
Dark Tourist transcends its genre and explores what it actually means to travel, making for one of the most remarkable and profound travel shows ever made.
Bleeding Steel is a chaotic and extravagant attempt to imitate the futuristic settings of other box office fare of its time, which only highlighted the throwback quality of the central character.
Michele Beck didn’t have an interest in pole dancing originally. Curious, she decided to take…
For all of its merciless violence, Puppet Master: The Littlest Reich is a clever exercise in genre thrills and impossibly twisted humor.
It’s been almost a decade since the release of Agnès Varda’s last film, and even though her newest entry, Faces Places, is only slight, it’s still completely worth the wait.
Frank H. Wu reviews and examines Crazy Rich Asians: It already is a phenomenon. May it inspire much more.
To watch Chappaquiddick and then ponder the life of Ted Kennedy in such a manner undoubtedly must lead to introspection.
Incredibles 2, while being entertaining in its own right, often feels like a film with a conflicting message, and one that gets muddled up in the process.
The Venture Bros is back for its long awaited seventh season. Film Inquiry’s Sean Fallon recaps the season premiere.