Spidarlings is a love letter to a forgotten era of midnight movies – but in 2018, it feels less revolutionary than in their 70’s heyday.
Vidar the Vampire shows the lack of change within the filmmaking community in regards to the portrayal of women on screen and further proves the necessity of the #MeToo movement.
The trailer for the newest Gillian Flynn adaptation, Sharp Objects, is here and it’s dark, disturbing and mysterious; everything you’d expect from the best-selling author.
Tommy Wiseau and Greg Sestero are back with a new movie, and we spoke with Sestero about the process of making a new, original feature 15 years after The Room.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.
With more than enough to keep the story moving, Three Identical Strangers is a compelling documentary that keeps the tale moving quickly through twists and turns.
While Emperor of the North (1973) accurately portrays the unique subculture of the hobo in many ways, it also does itself a disservice by removing friendship between hobos, a central aspect of hobohemia.
We spoke with Andrew Fleming, writer/director of IDEAL HOME, about reuniting with Coogan, the current state of the film and TV industries, and more!
We got a chance to speak to director Finlay Pretsell of cycling documentary Time Trial after it played at Sheffield Doc/Fest.
It’s hard not to think of Jurassic World: Fallen Kingdom as just a rinse-repeat of nearly every other film in this now 25-year-old franchise.
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
Alpha is a story of survival set 20,000 years ago during the last Ice Age, directed by Albert Hughes.
In our latest entry of Anarchic Cinema, we discuss the birth of Japanese V-Cinema and the contributions of Takashi Miike.
With no clever jokes and not enough scares to build any real suspense or fear, The Night of the Virgin falls flat.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his interview with Inka Achté, director of documentary Boys Who Like Girls.