If viewed out of the context of recent events, Rebels on Pointe is an enjoyable and inspirational look inside the world of a unique group of artists that will make you eager to take in one of their performances in real life as soon as possible.
Netflix is bringing more science fiction into our homes with Mute, the latest from writer/director Duncan Jones.
We were able to talk with Lauren Wolkstein, co-director of the thriller The Strange Ones, which is now available on VOD. We talked about the movies that inspired her, her experiences in the industry and the making of the film.
The Shape of Water, Guillermo del Toro’s tenth feature-length film is his most lauded since…
The Golden Bear winning, Oscar nominated On Body and Soul is one of the most bizarre love stories in recent memory. It’s a treat for adventurous viewers.
In When We First Met, Noah spends the perfect first night with the girl of his dreams, but gets friend-zoned. He spends the next 3 years wondering what went wrong – until he gets the chance to travel back in time and alter that night – and his fate – over and over again.
While a handful of trailers from 2017 did their job, they were the exception, not the rule. If the box office is to improve in 2018, we need better trailers that are more than just boring, random CGI explosions.
We spoke with Jason James, director of the upcoming comedy-drama Entanglement, which will be released on February 9th.
Permission manages to explore the intricacies of open relationships in a non-judgemental way, portraying a realistic relationship as far from classic romcom tropes as you could imagine.
Maze Runner: The Death Cure wraps up the series nicely, and despite any plotholes, it doesn’t completely fall apart. With this genre producing so many duds in recent years, there are worse concepts to spend your time enduring.
Ant-Man and the Wasp marks the return of Ant-Man, with help from Hope van Dyne, who will don her Wasp suit for the first time.
While managing to meaningfully touch on universal themes of community, self-identity, believing in others and caring for those in need, the messages of the Paddington franchise would mean so much more if it would just let go of its villains.
Like Me is a visual spectacle that delves into the dark underbelly of social media, showing the lengths that people will go to in order to feel accepted on the internet.
The Cloverfield Paradox is helped along through a clever use of viral marketing, but it’s not enough to save an otherwise generic and messy sci-fi thriller.
Considering the amount of people online who seem to like Nicolas Cage in an ironic way, it’s easy to forget he can do great work when working with talented directors, like in Looking Glass.