Padmaavat is a misguided attempt by director Sanjay Leela Bhansali proving that you can get struck by lightning if you try to capture it in a bottle twice.
If you’re looking to be scared, then The Ritual may satisfy that itch. Just know that you’ll probably have seen it already, in one horror film or another.
The Disaster Artist is a troubling film given the recent allegations against James Franco, especially when we look at one scene in particular when Franco’s Tommy Wiseau abuses his power as a director.
The Spierig Brothers’ latest “based on a true story” horror movie Winchester is a cinematic checklist of every dreadful ‘haunted house’ cliche, every formulaic competent that’s been implemented by other, better genre entries.
With its sheer amount of ‘Straight to DVD’ film sensibilities, Den of Thieves is as generic as bank heist thrillers come, and at a bloated 2 and a half hour run-time as well.
Don’t Worry, He Won’t Get Far on Foot tells the story of John Callahan (Joaquin Phoenix), a cartoonist, artist and musician who became a quadriplegic after a car accident at age 21.
We had the chance to chat with Jess Weixler, star of indie film Entanglement. We discussed what drew her to the project, her interpretation of Jason Filiatrault’s mind-bending script, her process as an actor, and what project she’s currently working on.
For Dinner With Dames #13, Cinefemme gathered a group of women filmmakers to dine with the night’s mentor, VJ Boyd, writer on CBS’s S.W.A.T.
It’s been 25 years since Groundhog Day premiered, but its enduring quality lives on. Its humor, tender performances, sincerity, and feel-good ending are just as impactful as the raw existential statement that it provides about how to find true contentment.
We had an opportunity to talk with Lin Oeding, director of the upcoming film Braven starring Jason Momoa, about his experiences directing the film and also his career thus far.
Double Lover is a loving and surprisingly artful homage to the genre’s masters, equal parts a silly and stylish trashy erotic thriller with enough twists and turns to delight any mainstream audiences.
Pleasantville is still relevant 20 years later: In a time where the American Dream is being redefined, Pleasantville tries to tell us that among the chaos and imperfection of this world, you can still find happiness.
We argue that Lady Bird’s Nick Houy should have been nominated for Best Editing for the subtlety of editing that brought script and character to life.
A frenetic, fantastical but frustrating piece of work, Jupiter’s Moon will be remembered not for its rather woolly handling of serious subject matter, but for a couple of excellent performances, and the stunning images and sequences.
Unsane sees Soderbergh return to questions of the mind with the tale of a young woman being wrongly placed in a mental institution.