Last Breath is a movie that strips away all the Hollywood fluff, but turns in a delightfully-tense docudrama-thriller.
The mission of Avondale film festival is to provide a platform for filmmakers to express visual stories that reflects their perspective on the world.
For our final installment of Slamdance, we’re covering a fictional drama about the struggles of Alzheimer’s and a documentary about a New York LGBTQI icon.
Today, we’re looking at two shorts: One about a filmmaker preparing for the progression of his diagnosis, the other about a drummer struggling creatively.
House of Spoils is striking and interesting at first, but by the time the action comes it is too little, too late.
Like a Saturday Morning cartoon drenched in blood, The Monkey throws everything it can at its audiences.
Nosferatu is a cinema masterpiece, an art house piece from an indie director who could do anything he wanted yet he chooses to make high art.
For this installment of Slamdance coverage, we’re looking at an inspiring documentary and a gripping fictional drama based on a true story.
Today, we’re looking at two documentaries: One focusing on social justice in Omaha, and another exploring a mysterious hole in northern California.
Play It as It Lays is the rare adaptation of a literary masterpiece that lives up to the source material.
Film Inquiry spoke with writer/director Kevin Lee and his star Angela Wong Carbone for the short film Aly.
It’s 97 minutes of pure bonkers cinema and it deserves to be watched by as many people as possible.
Based on the Pulitzer Prize-winning novel by Colson Whitehead, Nickel Boys follows a young man,…
Racewalkers reminds us of the beauty in embracing the quirky, the unconventional, and the unexpected.
In my opinion, no picture is more worthy of receiving best animated feature than Gints Zilbalodis’ Flow (2024).