Michael Garcia’s debut feature focuses on the grief of struggling musicians and an A&R rep trying to make a comeback.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
Rabbit Trap is a visually satisfying film with a some interesting elements to play with and no propulsion whatsoever.
In Jacque Rabie’s debut feature Orchid, we witness what can happen when that infatuation is taken too far, and when a third person is added to the mix.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.
After collaborating for more than a decade, Bazuin and Werhun’s creative endeavours have culminated in a creatively charged feature-length film.
An energized ‘silent’ action film and a quirky narrative about a real life American who hid from authorities inside a local Toys”R”Us.
Originally designed for films appropriate for older kids, the PG rating now bares almost no distinction whatsoever from the G rating.
Criterion’s edition of Shoeshine is a terrific release of a film that has been deserving of a proper restoration.
With Midsummer Scream only a few weeks past, folks in the LA area can look forward to the premier of the newest horror festival, Night Frights LA.
How far is too far to push your cast and crew to achieve your vision? That’s for Brent to find out in the thriller/horror/pitch-black comedy Et Tu.
The Melbourne International Film Festival returns for another year of movies and events at one of the best festivals in the world.
The most interesting and important movies in the world today are being made by trans…
Arriving in 4k, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need.