Hello hello, everyone! Spooky season has come and gone, and with it the annual rush…
Louise Kolm-Fleck deserves her flowers not only for being one of the world’s first female filmmakers, but one of the most forward-looking.
This quietly existential ambivalence on the nature of love, balanced with a deep empathy for each character makes Mistress Dispeller compulsively watchable.
Stitch Head, based on Guy Bass’ first book in the series, will charm the little monsters while being cute enough for the adults to watch in the background.
It’s October once again, and to celebrate the spookiest month of the year, we’ve asked…
Though known for her work on documentaries, Marsh has made a strong narrative feature debut with this film.
One of the more noticeable themes at this year’s Toronto International Film Festival was the…
First Moon is a religious chamber drama — a film that takes place in a…
Some Queen Kelly is better than no Queen Kelly, especially when Milestone Films has devoted such meticulous effort to restoring it.
Mainly, they all deal heavily with trauma, how we deal with it in the moment, and how it can continue to linger, no matter how hard you try to submerge it within your mind and move on.
The Waves of Madness has been marketed as “the world’s first side-scrolling horror film.” Its…
Packed with touching, heavy moments, it’s also peppered with the kind of dark and cynical humor you’d expect from its subject, Marc Maron.
In this report from NYFF, we take a look at Dry Leaf, Back Home + Ecce Mole, and Put Your Soul on Your Hand and Walk.
Strange Journey wears its heart on its sleeve as it relates earnest messages of love and acceptance, community and found family.
D(e)ad explores the dynamics of grief and family through a darkly comedic lens, delivering a funny yet emotional experience.