With Secret Mall Apartment, documentarian Jeremy Workman delves into a piece of art that’s the stuff of urban legend. Film Inquiry spoke to the director.
Ghostlight is at once profound and moving and insightful, and features some of the most natural chemistry and acting you’ll see on screen this year.
Borderline does a lot over the course of its 90 minutes, it made us laugh, it made us cringe, it made us look through our fingers.
Film Inquiry spoke with Ben Leonberg and Kari Fischer, the team behind the dog focused ghost story Good Boy!
There aren’t any stylistic flairs that Who By Fire brings to the table that differentiate this film from the prototypical coming-of-age movie.
At the 2025 SXSW Film Inquiry takes a look at Good Boy, Redux, Redux & Mermaid.
The Electric State is a turgid mishmash of sci-fi with little uniqueness, bland characters, and a story so eye-rolling it may have been written by AI.
Mickey 17 ripped apart the rule book for a Hollywood sci-fi movie, and its box-office success will hopefully lead to Joon-Ho getting even more runway next time around.
No amount of blood or cool gory effects could save Stream from itself.
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Control Freak always goes forward and evolves, keeping you entertained and sitting with you afterwards for a long while.
Film Inquiry previewed Apple Vision Pro’s Metallica in concert at this year’s SXSW.
Into the Poohniverse is Film Inquiry’s look at these movies as the cinematic universe expands and the death toll rises.
An Unfinished Film’s creative and sensitive approach to depicting life during the COVID-19 pandemic deserves to be seen.
Bloody Axe Wound’s ideas were there but the writing couldn’t back them up or bring them to a place where we could fully care about anything happening.