As a production company, Disney and their famous princesses have changed significantly as a response to changing social norms.
Somatic is a short film from director Will Nash, delving into complex questions of cloning and the nature of our reality.
Assassin’s Creed may be the best video game adaptation, with some dynamic action, but it still has a run of seething and frustrating flaws
Rings promises to keep the gore low, allowing a new crop of young horror fans to discover why people freak out over long-haired, pale little girls.
Monster Trucks is a live action/computer animated film that is made by a regular animation director; unfortunately, it does not go over well.
Be My Cat is a satirical found footage film that manages to poke at the superficial ideologies of filmmaking while also being entertaining.
Going in Style is an upcoming comedy about three old men who decide to become bank robbers after their employment changes.
White Girl reflects the embodiment of societal and interpersonal dysfunction while exploring the role of the body in film and in life.
Collateral Beauty is a messy film that is almost saved by its heartwarming theme and performance by Will Smith – though still not quite.
Opening in theaters this week are Patriots Day, Claire in Motion, The Bye Bye Man, Sleepless and more! We’ve compiled the info & trailers.
Horror films sometimes contain themes that focus on the primal fears of growing up; here are some prime examples of how they have done so.
The Love Witch is an aesthetically sophisticated and deeply-layered dramatization of the gender obstacles that we continue to embed in our society.
Bastards looks like a typical raunchy shock comedy, involving many of the people behind the The Hangover movies. Let’s hope it’s funny.
Twenty Twenty-Four is a sci-fi that alerts its audience as to a possible world-ending scenario, though it’s not a complete success.
The Seasons in Quincy is a series of four essays that each paint a portrait of the late John Berger, an extraordinary and versatile artist.