At long last, we have footage for Passengers. Most people have been waiting for this since mid-2015 when news hit that Sony was green lighting a sci-fi romance led by two of the hottest actors in the game. Christ Pratt was flying high off of The Lego Movie, Guardians of the Galaxy, and Jurassic World at the time, while Jennifer Lawrence was still in the midst of both The Hunger Games and X-Men series.
With easily accessible streaming services like Netflix and Amazon Prime, it’s easy to understand how independent short films go overlooked. However, the short film is a unique medium that provides avenues of expression to the super-indie filmmaker whose voice might otherwise be quelled in the big, bad world of explosions and monetization. Short films are the food trucks of the cinematic universe:
In Tarkovsky’s 1972 film Solaris, Kris Kelvin (played by Donatas Banionis) journeys to a space station on the sentient planet Solaris in order to investigate whether the planet is still useful for scientific inquiry. Critics at the time considered Andrei Tarkovsky’s 1972 film as the Soviet answer to Stanley Kubrick’s famed 1968 film, 2001: A Space Odyssey.
There currently is a radical change in our political landscape. The United States has drawn worldwide attention on the upcoming decision between Hillary Clinton and Donald Trump for the position of President. The United States is not the only country, either, as Austria is facing a similar conundrum.
Dane DeHaan, who stole our hearts as the troubled teen in The Place Beyond The Pines, is back again in a romantic drama called Two Lovers and a Bear. The film, directed by Kim Nguygen (whose film Rebelle was nominated for an Academy Award for Best Foreign Language Film in 2013) had its North American premiere at TIFF last week and debuted at Cannes this past spring. Two Lovers And A Bear takes place far-north, in the Canadian province of Nunavut.
First published in 2000 under the pseudonymn JT LeRoy by author Laura Albert, “Sarah” became a transgressive fiction literary sensation. After holding court with such seminal writers of the sub-genre such as Bruce Benderson and Dennis Cooper, the rising writer of American letters seemed destined for superstardom. Whisked away on the coattails of celebrities impressed with her abilities on the page, Jeremiah “Terminator” LeRoy become the queer it lit boy of a generation.








