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Slamdance Film Festival 2024: DARLA IN SPACE & WELCOME TO THE ENCLAVE
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SXSW Film Festival 2024: AN ARMY OF WOMEN & WE WERE DANGEROUS
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Why Animated Films Should Be Included In The Best Picture Category
Zero-Waste Set Design: Redefining Sustainability In The Entertainment Industry
THE HUNGER GAMES: A Brief History Of YA Adaptations
Top 10 Movies To Watch This Valentine’s Day
“I’m Not Interested In Playing Easy To Like Characters” Interview With Jonas Chernick, Star & Writer Of THE BURNING SEASON
Interview With Table Read My Screenplay Winners Steve Coy and John Ferraro
“I Try To Find The Humanity That I Still Have Hope We All Have”: Interview with Karl R. Hearne and Dale Dickey for THE G
ISA TOP 25 SCREENWRITERS TO WATCH Interview With Adam Karlson
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RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
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Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
THE BEAR Season Two: An Elevated Experience
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Home
Film Reviews
All Reviews
Short Film Reviews
Film Festival Coverage
BOTTLE CONDITIONED: An Unfiltered Look
SOCIETY OF THE SNOW: Cinematic Reflections On Resilience
SXSW Film Festival 2024: AN ARMY OF WOMEN & WE WERE DANGEROUS
SXSW Film Festival 2024: BIRDEATER
Sundance Film Festival 2024: BYE BYE, BOWSER, DREAM CREEP & SAY HI AFTER YOU DIE
Sundance Film Festival 2024: Interview With Writer And Director Masha Ko of THE LOOMING
Slamdance Film Festival 2024: DARLA IN SPACE & WELCOME TO THE ENCLAVE
Slamdance 2024: LEGEND OF EL CUCUY
SXSW Film Festival 2024: AN ARMY OF WOMEN & WE WERE DANGEROUS
SXSW Film Festival 2024: BIRDEATER
SXSW Film Festival 2024: ROAD HOUSE, MONKEY MAN & THE FALL GUY
SXSW Film Festival 2024: DESERT ROAD
Features
All Features
Interviews
Giveaways
Why Animated Films Should Be Included In The Best Picture Category
Zero-Waste Set Design: Redefining Sustainability In The Entertainment Industry
THE HUNGER GAMES: A Brief History Of YA Adaptations
Top 10 Movies To Watch This Valentine’s Day
“I’m Not Interested In Playing Easy To Like Characters” Interview With Jonas Chernick, Star & Writer Of THE BURNING SEASON
Interview With Table Read My Screenplay Winners Steve Coy and John Ferraro
“I Try To Find The Humanity That I Still Have Hope We All Have”: Interview with Karl R. Hearne and Dale Dickey for THE G
ISA TOP 25 SCREENWRITERS TO WATCH Interview With Adam Karlson
ENTER FOR A CHANCE TO WIN A CONTAGION DIGITAL MOVIE!
Win A Free Copy of THE HOLDOVERS on Collector’s Blu-Ray
ENTER FOR A CHANCE TO WIN NATIONAL LAMPOON’S CHRISTMAS VACATION, THE POLAR EXPRESS, AND A CHRISTMAS STORY DIGITAL MOVIES!
ENTER FOR A CHANCE TO WIN THE COLOR PURPLE DIGITAL MOVIE!
Columns
All Columns
Bollywood Inquiry
Fantasy Science
Queerly Ever After
Staff Inquiry
Video Dispatches
Horrific Inquiry: LEPRECHAUN 4: IN SPACE
Away from the Hype: THE DAY OF THE DOCTOR
Horrific Inquiry: LET ME IN (2010)
Inquiring Minds: Sundance Film Festival: THE RAINBOW BRIDGE
Resources
All Resources
Actor Profiles
Beginner’s Guides
Film History
Film Theory
Hong Kong Action Cinema
How To Analyse Movies
Maria Giese VS Hollywood
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Kirsten Dunst
Actor Profile: Jim Carrey
Actor Profile: Tim Curry
Actor Profile: Nicolas Cage
The Beginner’s Guide: Scott Alexander & Larry Karaszewski, Screenwriters
A Beginner’s Guide to National Cinema Theory
The Beginner’s Guide: John Singleton
Beginner’s Guide: George Miller, Writer & Director
RETROSPECTIVE: KOREAN CINEMA’S GOLDEN DECADE: THE 1960s
The Joker’s Smile, Part 3: The Final Joke (For Now…)
The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character
Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema
A Beginner’s Guide to National Cinema Theory
Critiquing The Critic: The Evolution & Function Of Film Criticism
Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT
Anarchic Cinema: V-Cinema & Takashi Miike
The History of Hong Kong Action Cinema Pt. 7 – 2000-Present: Life After the Handover
The History of Hong Kong Action Cinema Pt. 6 – 1980-2000: Handover & Second Wave
The History of Hong Kong Action Pt. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo
The History of Hong Kong Action Cinema Pt. 4 – 1960-1980: New Wave
How to Analyse Movies #8: Putting It Into Practice
How to Analyse Movies #7: Iconography & Realisticness
How to Analyse Movies #6: Story & Genre
How to Analyse Movies #5: Lighting, Sound & Score
The EEOC Gender Probe: I Don’t Regret Starting the Fight
MPAA, Studios Fund 12-Step Programs For Women Directors (PARODY)
Weinstein Scandal Should Affect The Outcome Of The EEOC Hollywood Probe (THR Guest Column)
A Surprisingly Simple Solution For Women Directors
TV
All TV
Episode Reviews
Season Review
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
Slamdance 2024: RESTORAGE
The Coroner’s Assistant, “The Interview/The Inquest:” A Deathly Comic Debut
SHADOW AND BONE SEASON 2: Shaky Start Folds To Solid Finish
THE LAST OF US Season 1 Episodes 2-5: Whoa, We’re Halfway There
OUR FLAG MEANS DEATH Season 2: Ship Just Got Real
GOOD OMENS Season Two: A Gorgeously Miraculous Second Act
THE FALL OF THE HOUSE OF USHER: Flanagan Does It Again
THE BEAR Season Two: An Elevated Experience
Trailers
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