Features
The prestigious Academy Awards have been handed out to deserving participants and with that another year of celluloid excellence has come to a close.
Bong Joon-ho’s Parasite made history by winning both the Oscars for Best Picture and Best International Feature Film. But why exactly is this such a big deal?
Soham Gadre decided to go back to the last 10 years of the Academy Awards and pick out nominees and a winner for each category.
Jojo Rabbit is a movie that delivers on its promise of humor, yet it leaves a thought provoking imagery that speaks to the true prowess of the message behind the satire.
The Big Short’s seemingly frantic, random choices to cut at every perfectly unconventional or awkward moments perfectly capture the crazy, panicked, anxiety-driven atmosphere of the 2008 Housing Crisis.
Star Wars traffics heavily in the tropes of “the hero’s journey,” and it has a rather neat analog in the patterns of Jewish immigrant literature.
It’s time for our team to give you their personal top tens of 2019, along with some gushing about their absolute favorite.
With the release of Todd Phillip’s newest film, the Joker has left behind his traditional role and evolved into a progressive symbol of protest. The various iterations of the Joker are explored as part of a changing social environment.
Emily Wheeler delves into the hot topic of what exactly makes something a film – here using the example of Hannah Gadsby’s Netflix special Nanette.
In 2007, director Oren Peli spawned the multi-film, multi-million-earning Paranormal Activity franchise. Nearly thirteen years…
Holly Edwards takes a look at the 2020 Golden Globes awards and considers the winners in the Television categories.
The influence of Apollo 11’s moon landing has never been so well-portrayed, and with such subtle and sharp commentary, as it has with EPIX’s Perpetual Grace LTD.
Every year, awards season is full of messy discourse, debates over who really deserved it, and surprising snubs. This year’s Golden Globe Awards were no different.
Soham Gadre reflects on the night of the 2020 Golden Globe Awards, and specifically the awards handed out in the motion pictures category.
Emily Wheeler takes a look at how Jennifer Kent uses sound in The Nightingale and how it contributes to the experience and narrative.