Features
We discuss the films Eternal Sunshine of the Spotless Mind and Arrival, in reference to how they deal with complicated ideas of fate and free will.
Director Gurinder Chadha’s work offers American viewers a valuable political lesson about the intersection of class struggle and racism.
Many of the best movie trailers out there follow a specific formula; here, we analyze this formula in relation to Star Wars: The Force Awakens.
For the first time in 64 years, the late, great James Dean is reportedly starring in a new movie.
Boyhood is an impactful film, teaching us the strong life lesson of the importance of living in the moment.
When looking at the two most recent of Pixar’s underwhelming sequels, both unquestionably fueled on the nostalgia of its now-grown paying audience, there’s only one clear winner in this fight.
Ping Pong (1986) directed by Po-Chih Leong is a Cantonese and English-language comedy-drama that examines aspects of the Chinese diaspora in Britain.
The Walking Dead acts as a return to the toxic, abhorrent roots of the zombie genre, and presents a world where racism doesn’t exist.
It was on a dreary night in March, 1910, that the Thomas Edison–produced Frankenstein played…
Lorna Codrai looks at why 2006 was the most pivotal year of DiCaprio’s career, a year change him from a Prince to King of the World
The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Schitt’s Creek is one of the best and brightest comedy shows of this decade – stop acting like a disgruntled pelican and watch it!
We “listen in” on a conversation between huge Cabin In The Woods fans, Clement Tyler Obropta and Karen Pinilla as they look back on Drew Goddard’s 2011 horror.
The Favourite and Once Upon a Time in Hollywood could not be more distant – but are there more similarities to them than meets the eye?
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.