Features
Even if Douglas doesn’t match its predecessor, the material is strong enough that it could still wind up being the second greatest stand-up film of all time.
Good Girls Revolt is a significant and powerfully expressive series about sexual discrimination and harassment.
A baseball film almost without baseball, Moneyball is a revolutionary sports film. Lewis Punton takes a closer look at the conversations that fuel the plot.
Ang Lee has won both awards and critical acclaim for his portrayals of gay couples in Brokeback Mountain and The Wedding Banquet, yet both are flawed.
While men have come in and out of Fleabag’s life, her relationship with Claire has been the defining relationship of the series, making Fleabag the ultimate love letter to sisterhood.
Two decades later, and Wild Wild West is still a Wild Wild Mess – but nowhere near the disaster you may remember.
Michael Dougherty’s films sneakily inject themes of religion in the horror narrative. Danny Anderson takes a look at how two of his films subvert Christianity.
We tap into fond memories of summer and feel-good vibes to come up with a list of some of the best summertime films of all time.
With The Criterion Channel, no matter what size screen you watch these classics on, the pictures are never small.
While it may sound nonsensical, Andrew Emerson discusses why The Last Black Man in San Francisco shares important similarities with musicals.
As Alien turns 40 this year, it’s a good time to revisit the original film, examining the legacy that has endured from it.
In his final installment examining Edgar Wright’s “Cornetto” Trilogy, Faisal al-Jadir looks back at the the trilogy’s return to anarchy with The World’s End.
LGBTQ+ fans want good stories about queer people, not the cop-out nonsense of Pitch Perfect 3 or wishy-washy garbage like Pitch Perfect and Pitch Perfect 2.
Whilst some of the standard-bearers for this era invite us to far-flung worlds, FX’s Pose takes us just 30 years into the past to discover New York’s ballroom scene.