Features
In Angels & Demons, “antimatter” is what the villains want to use to blow up the Vatican. What is antimatter, and is it really that explosive?
The Joker is one of the most popular and most frequented DC villains to hit the screen – Kristy Strouse looks at his evolution over the years.
With only six episodes left before the series finale, Game of Thrones fans better be prepared for a harrowing ride.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
Green Book and BlacKkKlansman both deal with race relations in America. We discuss why they may both be problematic in their discussions of race.
In his latest dispatch from SXSW, Kevin Lee reviews Darlin’, The Girl on the Third Floor and Snatchers.
Behind the grief, behind BOB, lies the simple reality that Twin Peaks pushes: that the dream of suburbia and happiness that America sells may be a lie.
Born sexy yesterday is the common sexual fantasy depicted in films and TV around female characters that exude sex appeal, but mimic the intelligence of a young child.
We take a look back at motion capture technology, including its beginnings, its present uses, and the recent rises in de-aging technology.
In the age of toxic masculinity at its most unbearably malignant, Fight Club is still an effective parody of the spread of hate between generations.
In Black Mirror’s “Crocodile”, people have the technology of recreating visuals from memories. Is this tech becoming reality?
Spring Breakers may be much more profound of a film than initially thought, lucidly expressing our fascination with money and violence.
We’re in a shift in the current age of horror, where films tend not to be outright scary, but instead delve more subtly into inborn fears.
In honor of this treacherous month, our writers are highlighting their favorite (that may be the wrong word) betrayals in film.
At the 6th San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with George Rush, SF based entertainment lawyer and producer.