Features
At the third San Francisco Dinner with Dames, Cinefemme gathered a group of women filmmakers to dine with Olivia Humphrey, Founder & CEO of Kanopy.
In the second of this series, we look at the screenplays of Citizen Kane and Velvet Goldmine, examining how the two stories share similar DNA.
We were able to speak with Richard Harmon, star of the supernatural thriller I Still See You, about his interpretation of the story, advice for others coming into the industry, and more!
An overlooked film at the time of its release, Miracle Mile looks at the Cold War when it was waning, examining the destruction man is capable of when he thinks the end is near.
We got the chance to speak to director Yann Gonzalez about his new film Knife + Heart after its US premiere at Fantastic Fest.
We take a look back at the seminal adventure sci-fi series Lost, examining its legacy over a decade after it started.
Helenna Santos shares how she and her team managed to make their feature film, At Your Own Risk, with just $1000.
We spoke with director Susan Kucera about her upcoming documentary Living in the Future’s Past, a haunting view of human evolution.
We spoke with narrator and producer Jeff Bridges about the upcoming documentary Living in the Future’s Past, a haunting view of our changing world.
Kristy Strouse spoke with Eva Vives, director of All About Nina, using her own emotional history to power this inspiring hybrid of comedy and drama.
Stephanie Archer rounds up her experiences at 2018 Tribeca TV Festival, including two world premieres and the 10th anniversary of Shark Tank.
Sensory immersion avant-garde video art grabs the spectator and pulls them into the narrative, they themselves become just as important as the work.
Offering a backstory to the infamous tale of Arthur and his Knights of the Round Table, Excalibur excels in its fantastical showcase delivering a story that is still fresh and grand today.
Stephanie Archer rounds up some of her experiences at 2018 Tribeca TV Festival, including two conversations with Bryan Cranston and Rosario Dawson.
Kenneth Branagh and Joss Whedon have each put their unique stamp on Shakespeare’s classic Much Ado About Nothing, and both are essential to the canon.