Features
Nora Ephron had some very strange ideas about feminism and femininity, and today we pick apart You’ve Got Mail to prove it.
Moving film representation forward means breaking from some persistent stereotypes, but some seem more set than others.
The recent film Split deals with dissociative identity disorder – today, we touch upon what it must be like to play that many roles in one.
We’ve long established that The Academy suffers from racial and gender bias, but could it be that there’s another bias going on at the Oscars?
It’s quite rare that horror films are given any type of awards attention, despite their prominence in the mainstream film scene. We discuss why.
We spoke with Ceyda Torun, the director of KEDI – a feel-good documentary about the cats in Istanbul – about cats and “positive terrorism” and helping people restore their faith in humanity.
The Cornetto Trilogy are not only some of the funniest films this century, but they also convey important themes about life and maturity.
FI Editor in Chief Manon de Reeper is back with another screenwriting video – today, she has 5 tips to help you get started with writing!
Cinefemme gathered another group of inspiring female filmmakers, writers and content creators for the fifth iteration of Dinner With Dames, to dine with Morgan Long of Requiem Entertainment, and casually discuss film industry issues facing women.
Phil Drinkwater & Tim Woodall tell about how what went into making their BFI-backed psychological horror film Broadcast Signal Intrusion.
In the latest of our cinematic advertisements series, we focus on movie posters and how they may have reached their peak in modern times.
Cairo Time is a romantic drama from 2009 set in Egypt that focuses on different women and their perception about relationships and life.
2016 saw a burst of right-wing ideology in mainstream and indie cinema, which, scarily enough, seemed to foreshadow the rise of Donald Trump.
2016 was a great year for film. Our Film Inquiry writers submitted their top ten lists, along with their pick for best film of the year.
With masterful performances and finely tuned direction, A Streetcar Named Desire is one of the great adaptations of a play in cinema history.