Film Festivals
God loves a Trier – Joachim, that is. Not content to bless the Danish-Norwegian writer…
Hello hello, everyone! Spooky season has come and gone, and with it the annual rush…
One of the more noticeable themes at this year’s Toronto International Film Festival was the…
Some Queen Kelly is better than no Queen Kelly, especially when Milestone Films has devoted such meticulous effort to restoring it.
Mainly, they all deal heavily with trauma, how we deal with it in the moment, and how it can continue to linger, no matter how hard you try to submerge it within your mind and move on.
Packed with touching, heavy moments, it’s also peppered with the kind of dark and cynical humor you’d expect from its subject, Marc Maron.
In this report from NYFF, we take a look at Dry Leaf, Back Home + Ecce Mole, and Put Your Soul on Your Hand and Walk.
Two Prosecutors is an austere and purposefully unhurried story of seeking to uphold the law in a world where the law prioritises political expediency at any time changeable and at any cost.
Read on for my thoughts on the latest films from three of my favorite contemporary directors: Christian Petzold, Kelly Reichardt, and Hong Sang-soo.
There’s usually no shortage of female filmmakers at the Toronto International Film Festival, and with the festival’s 2025 edition, that continues to be true.
While Driver’s Ed and The Ugly are vastly different films, both provide thoughtful social commentary on their respective issues.
Lloyd Lee Choi brings his feature film debut to Toronto, in what seems like a perfect home for a story about the immigrant experience.
For his first report from this year’s TIFF Soham Gadre takes a look at Levers, Copper and Mārama.
One would have to go all the way back to Pain & Gain in 2013 to find a dramatically inclined and nuanced performance from Johnson.