Film Festivals
Flexing his filmmaking prowess here, Clement Virgo’s Brother is a striking example of narrative storytelling that reaches a high emotional altitude.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
From Venice FF, Princess and Banu are feature film efforts with strong female protagonists, both of whom are fighting very different battles in life.
It’s hard not to muse over whether any other performer this year can top what Cate Blanchett does in Todd Field’s Tár.
It’s hard to imagine Noah Baumbach making a film about an apocalypse, yet this enigma-raveled concept perfectly encapsulates White Noise.
Lee Jutton is back with her last report from this year’s New York Asian Film Festival!
The NYAFF is always a great chance to check out some extraordinary films that might not otherwise screen widely in this country.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.
One of my favorite times of the year is coming to a close. While I…
Spanning the release of her film Hustlers to her Superbowl Halftime performance, Amanda Micheli’s Halftime documents Jennifer Lopez.
With her second report, Kristy Strouse covers Cherry and Next Exit!
Fear and paranoia are the perfect catalysts for mass panic in Natalia Sinelnikova’s We Might As Well Be Dead.
In Sophie Hyde’s Good Luck To You, Leo Grande, the stigma surrounding sexuality and age are examined and pushed.
Irene Taylor’s documentary Leave No Trace looks at the dark side of the Boy Scouts of America, which allowed the abuse of countless boys.