Film Festivals
Kristy Strouse shares her first report with three films from Toronto International Film Festival, all female and directorial debuts.
In the latest report from TIFF 2021, Wilson Kwong looks at solid examples of creative storytelling with All My Puny Sorrows and Kicking Blood.
Despite a rather disappointing third act, Last Night in Soho still manages to be an engaging cinematic experience thanks to its impressive technical and performative entities.
Film Inquiry spoke with director Jean Luc Herbulot for his film Saloum, premiering at the 2021 edition of the Toronto Film Festival.
The Wheel, Steve Pink’s latest directorial venture, sees him zeroing in on a young couple and their messy, crumbling marriage.
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
Alex Lines is here with his report from this year’s CinefestOz Film Festival.
Rafaela Sales Ross’ coverage of the 2021 Venice Film Festival commences with a look at Harry Wootliff’s True Things.
With career performances, Raging Fire hits all the right notes in this orchestral masterpiece of Hong Kong action cinema.
Despite a familiarity with Johnson’s isolated world, Leah Purcell’s passion for The Drover’s Wife ultimately does her directing debut a massive disservice.
Energetic and creative, no matter how you quantify it, Beyond the Infinite Two Minutes is a whole lot of fun.
Hellbender create its own stamp on the subgenre with a twisting, trippy and complex mother/daughter relationship that is certain to leave a lasting mark.
Reporting from the 2021 Locarno Film Festival, Monique Vigneault looks at Soul of a Beast, 100 Minutes, The Girl and the Spider Mask and Il Legionario!
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!
At the 2021 Fantasia Film Festival, Wilson Kwong was able to speak with director Nicole Bazuin about her latest film Last Night at the Strip Club.