Film Festivals
A small-scale, intimate story of strength and friendship it may be, but Herself has a thematic reach well beyond its plot.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Déa Kulumbegashvili’s Beginning is guaranteed to linger uncomfortably in the back of your mind long after the end credits have rolled.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
There is much to enjoy about Tragic Jungle, but in the end, one is left hungry for something more than what the film actually is.
For his second report from the New York Film Festival, Soham Gadre covers six more diverse films.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
Daryl MacDonald covered Mogul Mowgli as part of the 2020 London Film Festival, which features Riz Ahmed in his most personal role yet.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
This year’s New York Film Festival started out with a bang, showcasing a whole slate of movies that really experimented with form.
Night of the Kings explores how rituals, traditions, and stories can give people reasons to live even in the darkest times.
While City Hall has it’s ups and downs, it gives viewers a unique experience and perspective into the inter workings of Boston’s city officials.
Director Matthew Heineman takes somewhat of a left turn to document the homecoming of Colombia’s biggest reggae superstar, J Balvín.
The beautiful boldness of The Human Voice makes it clear that Pedro Almodóvar and Tilda Swinton are a match made in film lover’s heaven.