Film Reviews
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
Eternal Beauty is nonetheless an enjoyable film with admirable intentions, elevated by the sensitive work of Hawkins and her supporting cast.
As a collaborative effort to both engage and educate people, The Inheritance is a rare example of political activism and cinema.
Anchored by Katherine Langford in her best performance yet, Spontaneous will turn heads, churn hearts, and best-case scenario, blow you away.
Daryl MacDonald covered Mogul Mowgli as part of the 2020 London Film Festival, which features Riz Ahmed in his most personal role yet.
The result is a bit of a mixed bag; the movie does indeed scream Clive Barker, but on the other hand, the new stories aren’t really that interesting.
With Hong at his most delightfully Rohmer-esque and Kim at her most effortlessly charming, The Woman Who Ran showcases humanity at its most authentic.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
As Haroula Rose’s feature-length directorial debut, Once Upon A River shows us, you do what you can.
Pieces of a is nevertheless chock-full of indelible moments; ones that help you ride out its harsher sequences with earnest warmth and genuine care.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
In spite of its cutesy title, Herb Alpert Is… does attempt to flesh out the multi-faceted extent of his talents: then and now.
This year’s New York Film Festival started out with a bang, showcasing a whole slate of movies that really experimented with form.
As a lighthearted take on the end of the world, Save Yourselves! is an enjoyable distraction.