Film Reviews
A very human story everyone can relate to, Nail in the Coffin is a strong, documentary with a very big heart and a very bloody mouth.
Conviction is an intriguing and compelling real life crime story reflecting on the corruption currently being exposed in the American justice system.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
With Erik Nelson’s most recent documentary, Apocalypse ’45 is both a commemoration and an elegy that refuses to choose sides.
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
While frequently animated and wry, Words on Bathroom Walls persists on being realistic with its portrayal of schizophrenia.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
Far from the dumpster fire many feared, The New Mutants is a much more mundane disappointment: a near miss.
#Unfit is a timely and vital documentary on the nature and presidency of Donald Trump.
Yankee won’t be a film that pleases everyone, but its flaws don’t necessarily tarnish what is an otherwise solid effort from a budding filmmaker.
Cetigrade is a chilly thriller that never turns up the heat, leaving the audience with little reason to chill with the imperiled couple.
MUBI is currently hosting a mini-retrospective highlighting four of her features, including A Woman’s Revenge (2012) and The Portuguese Woman (2018).
Lake Michigan Monster embraces strangeness as it affectionately homages sci-fi B-movies of the 1950s and silent comedies of the 1920s.
Class Action Park explores the dark side of childhood as it covers the legend and legacy of the infamous Action Park.
Unhinged attempts to evoke the fears and stress of living in our modern times, yet it mostly remains stuck in first gear.