Film Reviews
Before/During/After blends a journey of self-discovery with an examination of marriage from start to the unexpected end.
I Used to Go Here is about far more than one could have hoped and imagined with a pleasant amount of consideration given to all its characters.
With Proxima, Winocour has left an indelible mark on cinematic space travel, by viewing it through a feminist lens and placing more emphasis on earth.
Reichardt once again displays her generous understanding of life on the margins, and the implicit need to create relationships in harsh lands.
Spinster is a relatable journey from recently broken up single to content and confident, yet still single.
Despite taking place in a city with a ubiquitous gang subculture, Days of the Whale is unconventionally warm and luminous.
All and all, Good Manners is a flawed narrative with a good heart and powerful message at its core.
Amy Seimetz’s sophmore directorial effort is full of great performances, but never engages with the premise enough.
It is a fun zom-com, but if you aren’t desperately seeking out for a lighthearted zombie film, then it’s maybe not the first film you would come across.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
The film making is far from flawless, but what Ganja & Hess really projects is the sense that it came from a person who wanted the work to reflect himself.
Black Water: Abyss starts strong in its horror, but too quickly, the film devolves into a story of drama with a background of splashing water.
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
If you’re looking for a light, breezy movie to tide you over for a couple hours, Summerland will hit the spot.