We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Stephanie Archer takes a look at the two short films Josiah and Day Release which premiered at the Palm Springs International ShortFest.
Daisies is a must-watch for scholars of New Wave, for fans of artistic rebellion, and for lovers of absurdism.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
The tone of First Cow is warm and fuzzy until the very end that watching it unfolds is like going through a soothing meditation.
There’s certainly a lot to unpack in a film like Wet Season, and it’s something that will surely stick with you for a very long time.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
The Painted Bird is a brutal film, yet, if you can stay to the end, you will find a film deeply rooted in the need to keep pushing forward.
Can You Keep a Secret? is not the worst romantic comedy but its dull premise will fail to spark any real excitement from the genre’s fans.