Film Reviews
As society becomes twisted and distorted in our actual lives, The Halt from director Lav Diaz now feels like a prophetic tale.
Personal Problems focuses on Black humanity in all of its highs and lows, hopes and fears, mistakes, and triumphs.
Colour Me Brown is a personal, self-reflective conversation on one’s race and the associated complications of being different.
Beetle Queen Conquers Tokyo is comforting, emotive, overwhelming at times, and always worth the time spent giving it your full attention.
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
Despite great moments of tension and a solid Joseph Gordon-Levitt performance, 7500 is a film of unfulfilled potential.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Good Trouble is bursting with inspiration powerful and essential, strong enough to be more than just a flowery portrait.
Father Soldier Son offers you the opportunity to see why people join the Army rather than padding the film with patriotism or criticism.
Stephanie Archer takes a look at the two short films Josiah and Day Release which premiered at the Palm Springs International ShortFest.
Daisies is a must-watch for scholars of New Wave, for fans of artistic rebellion, and for lovers of absurdism.
Videodrome’s feverish portrayal of the seductive allure and caustic bite of media indulgence and hyperreality remains to-the-minute.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.