Film Reviews
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
The tone of First Cow is warm and fuzzy until the very end that watching it unfolds is like going through a soothing meditation.
There’s certainly a lot to unpack in a film like Wet Season, and it’s something that will surely stick with you for a very long time.
Showbiz Kids is a fascinating look at the life of child actors and offers unusual insight into the world of acting.
The Painted Bird is a brutal film, yet, if you can stay to the end, you will find a film deeply rooted in the need to keep pushing forward.
Can You Keep a Secret? is not the worst romantic comedy but its dull premise will fail to spark any real excitement from the genre’s fans.
A notorious box office flop, revisiting Waterworld today reveals a sturdy but middling treasure, as astonishing as it is underwhelming.
Spy Intervention doesn’t give much in terms of laughs, but a few moments, give life to an otherwise dull film.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
While missing opportunities along the way, A Whisker Away makes up for it with its stunning original art and world of humanoid cats.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
Gather In The Corner works well as a subtle satire on school safety, while also being a light-hearted watch.
Our coverage of the 2020 Sheffield Doc/Fest’s online program begins with reviews of We Have Boots, Flint, and Me and the Cult Leader.