Film Reviews
Anchored by Sigurdsson’s striking performance, A White, White Day explores the aftermath of a life and a marriage with an intensely introspective eye.
Cowboys is Anna Kerrigan’s delicate and modestly subversive take on the Western, in which a father violates his parole and pulls his son away from an unpleasant upbringing.
The Grand Bizarre represents art at its most autocratic. It’s there in the imperfect stop-motion, in the spontaneous soundtrack, and yes, especially in the sneeze.
Fairytale is an interesting take on the story of a transgender woman’s transition, set against the backdrop of external threats of UFOs, communism and a picture-perfect 1950s setting.
Circus of Books packs so much heart and warmth that only the coldest of souls would fail to be moved by it come the end credits.
Even if you admire Deerskin’s audacity, its sudden and puzzling conclusion leaves much to be desired.
Bad Education is not just a great true story account, but also an excellently crafted and complex one, complete with phenomenal performances.
There is a catharsis In El Father Plays Himself that is achieved through witnessing truth, witnessing the process – one that is not easily forgotten.
Endings, Beginnings seems to be an illuminating experience for the actors involved, but an aimless drag for audiences watching.
Brilliantly crafted, Clementine will speak to a variety of audiences, giving messages of not only understanding, but hope.
The third episode of Killing Eve gives us a little hope that maybe there’s still some part of the show that can have a lot of fun despite its dark and bloody premise.
Clement Tyler Obropta looks back at four BBC Agatha Christie adaptations, all reimagined for the small screen by Sarah Phelps.
Musanna Ahmed reviews four more great films that he saw during CPH:DOX’s online edition this year.
Although it seems to promise an unvarnished view of a topical issue, ultimately The Flood’s refusal to pick a side robs it of any real purpose.
Antrum: The Deadliest Film Ever Made is an entertaining, but largely empty exercise in metanarrative and nostalgia.