Film Reviews
Eliza Hittman’s award-winning indie drama is a powerful one. Don’t let the label “abortion movie” deter you from seeing one of the year’s best films.
Emma is able to seamlessly adapt the Jane Austen novel with all the nuance and pizzazz that it deserves.
Trixie Mattel: Moving Parts is a raw, at times agonising portrait of the contemporary reality show celebrity. Rafaela Sales Ross reviews.
Bull is a masterfully told modern Western, telling the story of two distinctive individuals amongst the backdrop of bull-riding in the American South.
There are a number of great movies focusing on mental illness and how we should treat it, but unfortunately Lost Transmissions isn’t one of them.
Once Upon a Time in Uganda is a nice supplement to the ongoing, exciting story of Wakaliwood and the perfect thing to tie us over whilst we wait for their next awesome movie.
Although its premise is one of the most outlandish in recent memory, Extra Ordinary grounds itself with witty exchanges and a visually pleasing aesthetic.
In a time of so much uncertainty, a movie like Big Time Adolescence is the very definition of a “comfort watch.” And we could all use that right now.
Flicker Alley’s new two-disc Blu-ray release of The Bolshevik Trilogy is a quality set that provides an ample education on the art of film and the act of rebellion.
I Still Believe’s Melissa is the manic Christian dream girl who tempts lovestruck men toward salvation.
Gavin Michael Booth faultlessly achieves the split-screen/single-take technique, while also exploring the matter of suicide with unadorned honesty.
Lost Girls is a grim picture that delivers a story that should be known, and for the performances alone, there is reason to check it out.
Nina Wu tells a gripping tale, aided by a skillful filmmaker and an incredible performance. Its methods are surreal and dreamlike, but its final destination is painfully real.
Whatever cracks and uneven corners exist in Disappearance at Clifton Hill are easily glazed by a story that is good enough.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.