Film Reviews
A lightweight premise with heavyweight emotions, Shoot to Marry lets you ride shotgun on a highly entertaining journey of modern romance.
Covering Sundance Film Festival 2020, Janet Lee reviews documentary Saudi Runaway, and feature films Beast Beast and Zola.
Birds of Prey is a colorful ball of chaos. Is it a cinematic masterpiece? Far from it. But it’s an absolute blast, and that’s all it needs to be.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
Stephanie Archer takes a look at 2020’s Oscar Nominated Documentary Short Films!
Idealism can be a tough sell, but Ironbark sells the hell out of it nevertheless, remaining firmly committed to its compassion for individuals caught up in the iron grip of history.
On paper this movie may sound like a delicious recipe for some good old fashioned fun, but Richard Stanley’s Color Out of Space ultimately ends up stuck in a losing battle.
The Assistant is a gripping film masterfully directed by Kitty Green and featuring one of Julia Garner’s best performances to date.
Stephanie Archer takes a look at 2020’s Oscar Nominated Animated Short Films, Daughter, Hair Love, Kitbull, Mémorable and Sister.
In her latest report from the 2020 Sundance Film Festival, Janet Lee reviews The Mountains Are A Dream That Calls to Me and Save Yourself!
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
Shinkai’s Weathering With You is more than content to face the onslaught with the naive fantasies of youth. He’s unabashed about giving himself over to them totally.
In her second report Kristy Strouse reviews Josephine Decker’s Shirley and Alan Ball’s Uncle Frank.
Waiting for Anya is so beautifully put together and so emotionally executed that it hits you like a gust on a windy day.