Film Reviews
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
While it does contain so interesting moments to keep you attention, The King is not worthy starting in the first place.
The Entire History of the Louisiana Purchase ventures into nearly every documentary topic imaginable except what the title might imply.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
Suleiman’s It Must Be Heaven balances wit and amusement with a melancholic, maybe even unfulfilled, sense of belonging.
Countdown is not aggressively terrible, but it’s life-threateningly dull.
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
With so many great watches this year at Austin Film Festival 2019, Kristy Strouse is back with her second report.
Coverage of the 11th annual Milwaukee Film Fest opens with Aaron Schimberg’s Chained for Life…
The short film Judas Collar poetically wields its message with an unspoken but clear affront to such violent practices, with beguiling results.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
Amanda Mazillo reports from SCAD Savannah Film Festival with reviews of documentaries and narrative features, as well as a number of short films.
Doctor Sleep may not be the most satisfying conclusion to both the book and film version of The Shining, yet it is still an engaging film in its own right.