Film Reviews
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
A powerful and thoughtful short film, Brotherhood tackles complex themes of family and conflict with a muted elegance.
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
The best moment in this 2020 rendition of The Grudge is when the title card…
Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
Just Mercy is a disappointing adaptation of an important real-life story, but it’s filled with great performances. Maria Lattila reviews.
Midnight Family reveals the bleak reality of a private ambulance business in Mexico with impressive realism and honesty. Michael Frank reviews.
Bait is a stunning and memorable debut that pokes itself into the uncomfortable spaces between class and solidarity in modern British society.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
The True History of the Kelly Gang is often punishing and resistant to facile translation, but there’s no denying the merciless power that Justin Kurzel brings.
A story of heartbreak bandaged up by rebellion, System Crasher will wrench your heart out of your chest and stomp all over it.