PORTRAIT OF A LADY ON FIRE Review: Spellbinding Filmmaking From Céline Sciamma
PORTRAIT OF A LADY ON FIRE: Spellbinding Filmmaking From Céline Sciamma

Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.

HAUNT: Enter At Your Own Risk
HAUNT: Enter At Your Own Risk

A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.

NYFF 2019 Reviews: SYNONYMS, YOUNG AHMED & CUNNINGHAM
NYFF 2019: SYNONYMS, YOUNG AHMED & CUNNINGHAM

Kevin Lee reviews the first three films he saw at New York Film Festival, Navad Lapid’s Synonyms, the Dardenne Brothers’ Young Ahmed, and documentary Cunningham.

Fantastic Fest 2019: DOLEMITE IS MY NAME
Fantastic Fest 2019: DOLEMITE IS MY NAME

Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.

Fantastic Fest 2019: WRINKLES THE CLOWN

What did people think he was doing? What did the legends say? Wrinkles the Clown is both a hilarious and terrifying documentary that tries to answer these questions.

AHS 1984 (S9E1) “Camp Redwood”: A Season Premiere you Do Not Want To Miss
AHS 1984 (S9E1) “Camp Redwood”: A Season Premiere You Do Not Want To Miss

A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.

Director Elizabeth Blake-Thomas On Her Child Trafficking Cautionary Tale UNSEEN

We spoke with Elizabeth Blake-Thomas about her short film Unseen, about the kidnapping and trafficking of young girls through fake social media modeling contests.

13 REASONS WHY Season 3: A Rocky Start Brings Dramatic Conclusions
13 REASONS WHY Season 3: A Rocky Start Brings Dramatic Conclusions

While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.

Fantastic Fest 2019: Takashi Miike Gets The Job Done In FIRST LOVE
Fantastic Fest 2019: Takashi Miike Gets The Job Done In FIRST LOVE

First Love mixes and matches generic elements freely and playfully, making it impossible to pin down into one category.

3 DAYS WITH DAD: One Day Too Many
3 DAYS WITH DAD: One Day Too Many

3 Days With Dad does not deliver to the audience what it promises, presenting an exercise in patience that goes one day to long.

TIFF 2019: THE TRUTH & UNCUT GEMS
TIFF 2019: THE TRUTH & UNCUT GEMS

In our latest recap from the 2019 Toronto International Film Festival, We look at the films The Truth and Uncut Gems.

A SHAUN THE SHEEP MOVIE: FARMAGEDDON: A Disappointing Aardman Adventure
A SHAUN THE SHEEP MOVIE: FARMAGEDDON: A Disappointing Aardman Adventure

A Shaun the Sheep Movie: Farmageddon feels messily reverse engineered, a lazy Spielberg riff forcibly created just to fit the punning title.

London Film Festival 2019, Week One: Foreign Language Oscar Contenders, Creepy Shorts and Arthouse Johnny Depp
London Film Festival 2019, Week One: Foreign Oscar Contenders, Creepy Shorts & Arthouse Johnny Depp

Our first dispatch from LFF 2019 features reviews of And Then We Danced, System Crasher, Waiting for the Barbarians and more.

THE SOUND OF SILENCE: An Evocative Film About The Nature Of Sound & Humankind
THE SOUND OF SILENCE: An Evocative Film About The Nature Of Sound & Humankind

Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…

Fantastic Fest 2019: SON OF THE WHITE MARE
Fantastic Fest 2019: SON OF THE WHITE MARE

Beyond being historically significant and a truly gorgeous film, Son of the White Mare manages to connect with our most ancient arts and make them digestible for any viewer.