Film Reviews
Reporting from Chicago International Film Festival, Lana Stanczak reviews Components of Love, Jojo Rabbit and The Irishman.
With a better script and more action, Badland could have been a modern-day cowboy flick worth the near two hour run time.
Andrew Stover looks at three films from NewFest LGBTQ -festival in his latest report; Bit, Straight Up and And Then We Danced.
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
In her first report from Chicago International Film Festival, Lana Stanczak covers Sole, Fire Will Come, The Apollo and Deerskin.
In our final report from the 2019 New York Film Festival, we look at some of the amazing short films showcased this year.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
The potential lingers over Adopt A Highway like a dark cloud, ready to pour some nuance onto what becomes a rather muddled first effort.
In her latest report from the Toronto After Dark Film Festival, Bree Duwyn reviews Paradise Hills, The Furies and Making Monsters.
The Current War builds upon a solid narrative foundation by richly transporting the viewer to a pivotal and prescient time for humankind.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
Jim Dixon attended the Sleepy Hollow International Film Festival and spoke with Dark Shadows actress Kathryn Leigh Scott, and screened House of Dark Shadows.
By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.
Andrew Emerson reports from the Chicago International Film Festival with seven reviews of big international festival hits and some smaller, indie gems.