Film Reviews
While it’s not the best made documentary of the year, The Great Hack is the most important documentary you’ll watch all year.
Better off Dead uses the tropes and political incorrectness of many 1980s teen comedies but its absurdity is able to undermine these regressive areas.
The Handmaid’s Tale’s “Heroic” is intimate, dark, and scary in a way that we have seen before, but with more urgency this time.
Rather than looking skyward, Armstrong awkwardly looks at its feet, the film eclipsed by other efforts both fictional and factual.
Sometimes simple is all you need to make a fun movie, and with its quintessential man vs. nature thriller, we need more simple movies like Crawl.
Eaten By Lions will fill the void with laughs and wacky characters worth rooting for, and it just so happens to be a wonderful tale of brotherly love and multiculturalism.
For those looking for a film that both acts as a tribute to its roots while never straying from the course it’s set off on, see The Lion King with an open mind.
Romanian film I Do Not Care If We Go Down In History as Barbarians makes a bold statement about power and violence without resorting to fighting fire with fire.
Frankenstein’s Monster’s Monster, Frankenstein is a wonderfully absurd, surreal comedy, satirically captures the story of Frankenstein, and the confusion which comes with it.
A Faithful Man is a charming farce that only the French could pull off, combining all of the best elements of vintage romances with a thoroughly modern take on gender roles.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.
While The Farewell brings the identity crisis that many immigrant families face to the big screen, it also is a true-to-life reflection of family dynamics that everyone can relate to.
From the first frame to the last, Firecrackers is clearly a story by women, about women, stubbornly through their gaze without regrets.
While some viewers could argue this Point Blank remake as passable entertainment, even at 80 minutes, your time is best spent elsewhere.
The staleness pervading PEN15 isn’t because every situation and joke has been tapped before, better, elsewhere — this material has been strip-mined.