Film Reviews
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
The Handmaid’s Tale “Household” is redolent with disturbing new discoveries, and plenty of reminders of how dark and dirty the government of Gilead can be.
Kursk is an emotional drama based on real events. Thomas Vinterberg shines a light on the tragedy from within the sea and from the land.
In our second report from Edinburgh International Film Festival we cover Yesterday, Love Type D, Astrounaut and more!
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.
While it’s a hard watch, Too Old To Die Young is Nicolas Winding Refn’s finest work – a series to be savoured, mulled over and discovered again and again.
In our first report from Edinburgh Interntational Film Festival we cover Boyz in the Wood, Aniara, Not the End and The Furies.
We have come to the end of the line for the first season of The…
Whether you’re an avid theatre-goer, an actor, or someone who enjoys dark comedies, there will be something enjoyable in Ghost Light.
Back to the Fatherland looks at Israelis who have moved to Austria despite the historical hardships. Intriguing, yet the execution doesn’t do it justice.
With the strength in its original script and performances, Bite Me is an incredibly refreshing rom-com that has a lot to say about today’s world.
The Good, The Bad, The Hungry looks deep into the world of professional earring and how hot dog eating feels like the height of campy fun.
Tracks is a rather tedious ride that doesn’t possess any of the characteristics a rom com should have in order to soar.
Anima visualises and synthesises Thom Yorke’s perennial themes of the political and personal in an arresting, touching – and somewhat surprising – way.