Film Reviews
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
Sweet, charming, and beautifully unique, Laika’s latest film Missing Link deserves only the highest praise.
Music and Lyrics might not venture too far into uncharted waters, but with some solid voices, and plenty of hummable beats, it’s a crowd-pleaser that takes it a step further with its heart.
After almost two years, Game of Thrones is finally back for its final season. The 1st episode was marked by family reunions and reveals that change everything.
Three episodes in and the new Twilight Zone has been way too blatant so far, hopefully the remaining episodes aren’t as predictable.
The Burial of Kojo is an aesthetically accomplished debut for Sam Blitz Bazawule, but the narrative itself is far from perfect.
If you are going to go out with a bang, this is the way that you do it, as Shadowhunters has found its rhythm, and dug it’s heels in deep, refusing to go out with a whimper.
With how scattered and spotty the show has been this season, American Gods wants to say something important, and I hope it finds what it truly wants to say soon.
The OA Part II was better than one could have ever imagined, its ingenuity and trust in its audience, coupled by the brilliant execution of its power duo, brought the series to new heights.
Marisol is an eye opening experience for the viewer, its intensity and visual representations resonating long after the short has ended.
Though with a premise that sounds intriguing, William is a curio taken in entirely the wrong direction.
Unicorn Store, Brie Larson’s directorial debut, marks the beginning of a new chapter in the multi-hyphenate’s career.