If American Gods can pull together a few more character driven episodes like this for the final three episodes of the season, they can guarantee me back for season 3.
City of God is a great introduction to world cinema – and here’s our guide to the best foreign language films to seek out afterwards.
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.
Netflix documentary The Bleeding Edge explores the issues surrounding the medical advances in providing healthcare.
Cannon Films attempted to get into the animation market in 1986 – and the result was a hated film that remains out of print to this day.
An absolutely incredible film, The Garden Left behind deserves every single accolade it draws in and every bit of praise it receives.
For the past four months the Bay Area as been inundated with persistent rain and…
For being his directorial debut, Milorad Krstić’s Ruben Brandt, Collector is an astounding example of how boundless the animation medium has become.
When I heard that Logan Motherflipping Paul was making a Flat Earth documentary I dabbed…
Spring, the new animated short by writer/director/animator Andy Goralczyk, is truly a thing of beauty.
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
The Beach Bum is a love letter to the unlikely beauty found in the gutters of Florida, the artsy stoner comedy only Harmony Korine could concoct.
For a director obsessed with the decadence of Italy’s most powerful, Loro feels like the film Paolo Sorrentino was born to make.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.