Film Reviews
Flay boasts an intriguing and unique horror concept, but is let down by a lack of depth to its characterisation.
In this latest series of The Simpsons Greatest Hits, we review “Lisa’s Substitute,” a well-acted, well-written episode with a perfect finale.
Film Inquiry’s Musanna Ahmed looks at the biggest Bollywood releases of March 2019 in his first Bollywood Inquiry column.
There’s a lot of set up, a lot of TV show, and little payoff going on in American Gods – and it’s starting to wear on me.
The Public is an amusing and eccentric film that provides a candid look at humanity, a powerful reminder to be kind and put our biases aside.
Hearts of Glass is a wonderful documentary that focuses both on food production and people with disabilities, housed within a tiny slice of America.
Wonder Park should be fine family viewing, but it is lacking in terms of storytelling and the world building design.
While Peele’s The Twilight Zone is an improvement compared to the previous reboots, viewers are better off revisiting Serling’s original series.
If you look past The Highwaymen’s initial slow burn, you’ll at least find solace in its performances and devestating ending.
With every passing detail, We are Columbine sinks deeper and deeper into your soul, a piece of it sticking with you when the film has ended.
Becky Kukla looks at three films playing at this year’s BFI Flare; Tell it to the Blues, Water Makes Us Wet and Tucked.
Finding Steve McQueen is an unfortunately dull heist film, bogged down by unnecessary subplots and a lack of overall energy.
Where Hands Touch is a disappointing and sketchy depiction of a tragic romance during one of history’s darkest periods.
To say things are heating up this season on Shadowhunters would be an understatement, with drama, action and heartbreak coming in from all sides.
The Mustang is hard to look away from and worthy of praise. It’s a gorgeous look at a man who finds the best version of himself in his relationship with a wild horse.