Film Reviews
The Wandering Earth may seem like one small step in the eyes of Western moviegoers, but it is one giant leap for Chinese cinema.
Everything about Leaving Neverland is designed to be uncomfortable, from the running time to the connection between the viewer and the film’s subjects.
With the end in sight, there seems to be trouble brewing from every angle for the Shadowhunters in the coming future.
Greta is an acquired taste that will frustrate some viewers while others will revel in its campy absurdities.
Furie has severe pacing issues, but is saved due to the exhilarating showcase of Vernoica Ngo’s talents as an action star.
A movie mirror-image to last year’s First Reformed, Woman at War is a strikingly beautiful story of one woman’s desire to do good.
Cinema has to be representative and challenge perceptions. How can films tackle gender politics successfully?
Films about serious illness have a tightrope to walk, to find the right balance for…
While Riverdale’s “Bizzarodale” felt more like a stalemate rather than a progression of story, by the end, a new tumultuous future presented itself to viewers.
With a strikingly effective energy of both heart and strident bitterness, Cat Sticks like the disease of addiction itself is conveyed in a wise and endearing manner.
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
The failure of They All Laughed marked the end of the New Hollywood era, but Bogdanovich’s screwball fantasy urgently needs a reevaluation.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.