Film Reviews
With The Moogai, writer-director Jon Bell weaves historical trauma and a new mother’s struggles to deliver a thematically rich supernatural horror.
For Monro’s Kubrick on Kubrick, decoding Kubrick’s films with the director’s own words serves as an excellent chance to write his own artful tale
In my first report from Sundance, I’ve got two debuts and a sophomore film from a talented actor. All three tie together in a unique, familial bow.
Which Brings Me To You is a heartwarming romantic comedy that strives to reach beyond the simplicity of love matches and mishaps.
Darla in Space and Welcome to the Enclave are great examples of perfect programming with unexpected narratives.
Legend of El Cucuy brings an old folktale back to life in an effective way. Perhaps this short will be shown to children and future generations as a cautionary tale.
Hitting both high and low notes, Mean Girls retains the core heart of the original, all while modernizing itself for a new generation.
Screening at Slamdance, the short film DOSH focuses on family struggles through the lens of a specific culture and mental health taboos within.
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
With PU EKAW TNOD, we’re able to see such vision exploring the idea of being the viewer and the viewed, and it’s just as creepy as you think.
Film Inquiry spoke with writer/director Omar S. Kamara for his film African Giants!
Dad Jokes leaves us excited for Welch’s future in comedy, and the potential for a new chapter in her comedic journey.
I.S.S. is a serviceable space thriller, one that remains light on ideas but sticks to sturdy tropes.
Apolonia Apolonia manages to paint a fairly engaging portrait of an artist discovering the intimate balance between success and her freedoms as an artist.
While those looking for genuine chills should certainly seek them elsewhere, this movie is batting at a surprisingly high level.