Film Reviews
Film Inquiry spoke with Daniel Goldhaber, one of the most exciting filmmakers to be working in cinema recently!
The most positive praise that can be bestowed on The Super Mario Bros Movie is that it’s not as bad as 1993’s Super Mario Bros.
If there was one theme running through the 2023 New African Film Festival, it was that of an increasingly desolate economic landscape.
There was a movie here but somewhere along the way it got buried in vitriol and forgot to be entertaining.
While Summoning Sylvia does drag on occasion, it still delivers a very fun and funny ride from beginning to end.
Everyone involved displays an appreciation to be on the screen telling this wacky, poignant, and compelling story, making this a total recommendation.
Hulu’s Boston Strangler, starring Keira Knightley and Carrie Coon, is the best serial killer–journalism movie since Zodiac.
That Martin Roumagnac was the only film they ever made together makes it a must-see for any fan, and a wonderful remembrance of their real-life romance.
Stalker dared to be better than just, “good.” It was great and kept me guessing throughout the entirety of its 90-minute runtime.
Some films aren’t able to spend millions of dollars on 60-second television ads and it’s up to real movie lovers to get the word out. Watch Enys Men.
Whether you’ve read it or not doesn’t matter anyway; the film is about the woman, not her novel- and Emily is a bold introduction to the writer.
“Please Baby Please,” a MUBI release, is as campy as it is difficult, though Andrea Riseborough leans into the movie’s energy.
The Worst Ones asks some very complex and compelling questions about the ethics of filmmaking and the emotions of young actors.
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
Whilst some of Winners references and statements might not be evident to those unfamiliar with Iranian cinema, it has themes that are universal to all.