Film Reviews
One thing that is true about Everything Everwhere All At Once: you’ve certainly never seen something like this before.
Vogt’s decision to not pull any punches is a large part of what makes The Innocents such an effective horror film.
Where many have found immense success within the genre, Emerson Moore’s “Escape the Field” will be a film that falls quickly from memory.
Doctor Strange in the Multiverse of Madness is one of the messiest, most chaotic Marvel movies to date.
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
Roy is a solid debut, but ultimately it is neither good nor bad: overall, it is a fine beginning.
In her final report from the 48th Annual Seattle International Film Festival, Bailey Jo Josie shines a lot on documentaries.
Both beautiful and brutal, Robert Eggers’ The Northman is a saga worth seeing.
The 48th Seattle International Film Festival continues, rain or shine, and for Film Inquiry’s second…
As a portrait of the scientific process, Fathom is a fascinating watch.
Sexual Drive has its moments, but you’ll likely find more satisfaction in a bowl of that fatty ramen than you will in this undercooked film.
And while not an instant horror classic, giving in to its at times predictable storyline and faults in believability, it definitely proves itself a worthy player.
As lighthearted as it is deep, Marvelous and the Black Hole is a film I can not recommend enough.
Join Bailey Jo Josie for her first report straight from the 48th Seattle International Film Festival with River and Spin Me Round.