Film Reviews
Andrea Arnold’s poignant documentary Cow is doused in transparency and truth – the hardest pill to swallow.
A crazy, colorful film, Strawberry Mansion is worth a visit, even if at some points it seems on the verge of collapsing around you.
Even watering down some rather interesting character dynamics, Sing 2 adds more of everything, the good and the bad.
With Seobok: Project Clone, it’s all too easy to be emotionally invested in their journey together, even in such an altogether generic film.
We are Living Things crafts something beautiful, even when it’s hard to adjust to.
The Long Walk is a rich, complex tapestry of a film, woven together with elements of horror and science-fiction.
Death on the Nile is certainly better than his recent films, but it relies too heavily on its director/actor being enamored with his own material.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.
While elements of the setting and story may feel hauntingly familiar, Fabian: Going to the Dogs is a striking, singular film nonetheless.
It is not only a love letter to the passion exhibited by its subject, but an encapsulation of an inspiration that still lives on today.
In his final Sundance coverage, Kevin Lee reviews Call Jane and Emily the Criminal.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
Poly Styrene: I Am A Clichè keeps her legacy alive, while also recognizing that behind the iconic music and photos she was a real, flawed woman.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.