Film Reviews
While the movie itself is not without its bumps , there is always a new adventure, a new gag, a new moment of blissful sweetness just around the corner.
New Year is an exemplary artistic showcase of the power of dialogue and performance, wrapped in a tightly constructed celluloid of truth.
Combined with Vaughn’s ability, there’s a genuine surprise to this entry that may make this the best of the series.
Adam McKay has crafted a harsh examination of our treatment and lack of action of the environment we live in, one that is sure to push the conversation.
With its more intimate scope, flawed or not, the documentary attempts to understand Brian Wilson.
The Hating Game may not be the perfect rom-com, but it entertains like classics of the past, delivering on what it promises and perfect for rewatches.
An elegy not just for the human race but for the great artist that brought it to the screen, Last and First Men is a striking meditation on mortality.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
The Power of the Dog is a haunting, powerful character study by Jane Campion, amongst the best films of the year.
The new animated Diary of a Wimpy Kid tells a familiar story and executes it on an arguably bare minimum.
Ridley Scott’s House of Gucci is a biographical crime-drama about the woman who put a hit out on her ex-husband, Maurizio Gucci.
In the vein of Citizen Kane, the documentary sets out on the foolhardy task of finding Dean Martin’s Rosebud: the puzzle piece to unlock what made him tick.
After watching, I feel vindicated in thinking the early 200s and the sweet spot of my childhood was one of the peaks of the Christian music industry.
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
The Feast is a well-crafted film, boasting exquisite shots that deserve their place in horror recognition, but the story itself drags it down.