Film Reviews
Alex Lines is here with his report from this year’s CinefestOz Film Festival.
Rafaela Sales Ross’ coverage of the 2021 Venice Film Festival commences with a look at Harry Wootliff’s True Things.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
We Need to Do Something is a cringeworthy experience providing audiences a graphic examination of abuse coupled with the intricate craftsmanship of horror.
With career performances, Raging Fire hits all the right notes in this orchestral masterpiece of Hong Kong action cinema.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
Nadia, Butterfly showcases a humanism that hits at the quiet and unsensational moments of an athlete’s life and career coming to a halt.
When one looks beyond the immediate novelty of the film’s title, one is taken aback by how dull and derivative Yakuza Princess actually is.
The D’Innocenzo Brothers’ latest film, Favolacce, is a suburban apocalypse that is bleak and confounding, for better and for worse.
Despite a familiarity with Johnson’s isolated world, Leah Purcell’s passion for The Drover’s Wife ultimately does her directing debut a massive disservice.
Energetic and creative, no matter how you quantify it, Beyond the Infinite Two Minutes is a whole lot of fun.
Hellbender create its own stamp on the subgenre with a twisting, trippy and complex mother/daughter relationship that is certain to leave a lasting mark.
Reporting back from MIFF 2021, Sean Fallon reviews Come Back Anytime, Set!, Stray, Ablaze and The Witches of the Orient!
Rough around the edges, yet an extremely engrossing character study, Danny. Legend. God. acts as a relevant cautionary tale of an unchecked ego.
While the notoriety of Ted Bundy may live on in infamy, Ted Bundy: American Boogeyman will not.