Film Reviews
For a franchise that has been around for 40 years, Mobile Suit Gundam: Hathaway emerges as one of the best films in the Gundam universe.
Lee Jutton continues her coverage of the New York Asian Film Festival with reviews of The Con-Heartist, A Leg, and Raging Fire.
Beautifully filmed, Coast is a film you will find just coasting through the motions.
Ever since the start of the COVID-19 pandemic, filmmakers have generated embellished tales of horror…
The Last Matinee is a blood-soaked and nostalgic journey into a bygone era of movie theaters and their unique beauty.
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
From stunning performances all around, Coda is perfection from start to finish, keeping audiences engaged through humor, heart and genuine craftsmanship.
In its entirety, Mogul Mowgli is a cinematic experience that will resonate with the heart and enlighten the mind.
The Suicide Squad is a magnificent blend of gore, heart, and humor that engages its audience instantly with strong performances, and breathtaking visuals.
Haunting, strange, and engrossing, What Josiah Saw works in perpetuating perceivable dread.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
Homeroom is empowering and it is inspiring, bringing a fresh perspective to the events of 2020 and to the future.
The film flounders in its overly long crawl but makes up for it in a repulsive final twist.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.