Film Reviews
The Dose is a subtly taut psychological thriller from Martin Kraut, detailing the ethics of euthanasia through male rivalry.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
A collection of six short films by Black directors, Our Right to Gaze challenges what has been pervasive since the inception of Hollywood: the “White Gaze.”
The Conjuring: The Devil Made Me Do It is a different breed of horror, but is still just as beautiful and engaging.
The 2021 collection of New French shorts has a wide range of genres, from science-fiction to slice-of-life realism, and some wildly experimental animation.
Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.
John Krasinski’s A Quiet Place Part II fails to live up to the expectations and high standards that the first movie has established.
Kirby Voss’ We All Think We’re Special is an intensely authentic and palpably distressing drama about the pains of addiction.
Directed by Zaida Bergroth, Tove allows the brilliant artist and author behind the Moomins to finally take center stage herself.
A winning teen comedy with star-making performances from its two leads, Plan B has plenty of fun and heart to offer.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
Mohammad Rasoulof’s There is No Evil is an excellent and riveting drama with a few divets holding it from perfection.