Lapsis is topical, revolutionary, and maddening, encouraging viewers to think critically about the economic systems that govern their lives.
The Trial of the Chicago 7 has the potential to become a bona-fide crowdpleaser that will resonate with its target demographic.
The passion of McQueen and his artistic collaborators for telling these stories shines through in every frame.
Letters to Daniel is pretty uneven at times, but the story it is telling is important and engrossing.
In the face of hate, Gay Chorus Deep South is a shining beacon of love and an exemplary display of resilience and strength.
There’s so much to be said, and yet we settle into a story that sometimes takes the easier road if not the obvious one.
The Paper Tigers is crafted with a sense of passion that can only come from a filmmaker who is eager to express their own intimate creativity.
Rose Plays Julie archaeologically digs through human suffering, one fragment at a time, bringing its characters’ traumas out to see the light.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
The Old Ways is engaging and horrific, keeping relevant themes in the foreground while entertaining with solid and gruesome scares.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.
With Mangrove, Steve McQueen crafted a beautiful, shattering testament to the power of community amid the horrors of tense racial relations.
The movie itself may not linger in the minds of viewers, but Moss’ performance almost certainly will.