Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
The Walking Dead acts as a return to the toxic, abhorrent roots of the zombie genre, and presents a world where racism doesn’t exist.
In a compassionate ending, the season wraps up with a happy ending for all, a rarity for American Horror Story.
The Mandalorian isn’t the best thing on TV right now by a large margin, but as a Star Wars series, as a show for casual viewing there’s nothing wrong with it.
His Dark Materials is an adventure story at its core, and we’re finally starting to get into the adventuring.
The Leftovers is a very deep series series, one that is introspective and personal. It’s subversive, unrelenting, and keeps you on your toes.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Entering Disney+ as its flagship series, The Mandalorian takes place in between Return Of The…
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
Schitt’s Creek is one of the best and brightest comedy shows of this decade – stop acting like a disgruntled pelican and watch it!
If the rest of the season of His Dark Materials is as good as its second episode, we’re in for a great season.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
Big Mouth Season 3 continues in the show’s tradition of blunt honesty with a dash of humor, while not being without flaws.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.