Season Review
The inaugural season of The Witcher manages to outdo expectations over the course of its eight-episode run, but there’s no doubt that the show does have plenty of visible flaws.
While Don’t F**k With Cats might be too much for some, with a level of grossness that’s hard to deny, there’s a seedy story that’s hard to ignore.
The second season of Castle Rock has concluded, and this dynamic anthology series went out on an intriguing note: a whimper more than a boom.
Netflix’s true crime mini-series The Confession Killer delivers detail after detail in rapid succession in exquisite fashion.
Mrs. Fletcher is a wholesome experience that provides an empowering journey about the complexity of being human.
Anchored by a lovable cast and an action-packed trek that crosses dimensions, Marvel’s Runaways ends up going out with a bang.
In the wake of Adam McKay’s The Big Short, a flurry of films have attempted…
Silicon Valley’s season 6 got the perfect ending, cementing it as one of the most impactful and highly relevant shows about the technological world.
While it doesn’t push any boundries, Dollface features solid casting, creativity and wit, and enough guest stars to last multiple seasons.
Thanks to its talented and charismatic leads, The Kaminsky Method overcomes any lack of forward narrative momentum.
While it does suffer from a few hiccups along the way, it finds its strength in its source material and its characters, cast and crew.
Not as impactful or satisfying as its daring predecessor, The End of the F***ing World is not the end of the world, but it’s not a crucial send-off either.
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
Daybreak is a show begging not to be analysed, instead designed to be consumed mindlessly in one sitting over the Halloween season.
A tremendous cast and creative team can’t help Modern Love from feeling a bit undercooked.