1970s
In the 1970s, a decade many have argued was the best time for cinema, film adaptations of bestselling novels were more common.
There’s no time like the present to revisit Dona Flor and Her Two Husbands and be reminded that Sonia Braga is one of cinema’s brightest-ever stars.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
While Piranha may not be the best horror film, even boarder lining ridiculous at times, it is undeniably entertaining.
The Day the Music Died: The Story of Don McLean’s American Pie goes into the mythology around the song that runs deep and wide, resonating with so many.
While the Boston movie itself seems to have gone the way of the Western, the appeal of its core themes, and its sensibility seems to remain.
Promoted as being based on a true story, The Texas Chainsaw Massacre reached into the recesses of the mind, pushing audience expectations to a new level.
Even more so than its celebratory aspects, Harold and Maude holds a special place in my heart because of what it meant to me when I first watched it.
A 50th Anniversary retrospective on Steven Spielberg’s first feature-length film, Duel, and its place in Nixon’s America.
In the first Animation Sensation, Dallas Marshall reviews Wizards, that while flawed, is worth checking out just for its audaciousness alone.
We took a look at Criterion’s September releases, including Johnnie To’s Throw Down and Melvin Van Peebles: Essential Films.
And with harvest season upon us, it seemed the perfect time to dive into this critically acclaimed horror classic.
While not without its controversy, Pier Paolo Pasolini’s Salo, or the 120 Days of Sodom remains a ferocious work of art.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
For 45 years, the film was believed to be lost, but George Romero’s film has now resurfaced, and The Amusement Park is definitely worth a visit.