1980s
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
Pet Sematary feels like a good time horror film wrapped in the Stephen King charm, but it is terrors run deep and its implications devastating.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
For this edition of the column I decided to dive into two of Paul Verhoeven’s interesting and unique filmography.
Both P.P. Rider and Typhoon Club showcase many aspects of Somai’s signature style, Lee Jutton takes a look at both.
Few filmmakers can say they’ve made a movie as fun, free, and ultimately bittersweet as Tokyo Pop.
The Sea Prince and the Fire Child is a classic waiting to be discovered.
Evil Dead is brutally violent and unrelentingly gory, yet it is also the work of an artist with a passion for the craft.
Away from the hype, Akira fares very, very well, remaining the Rosetta stone for so much sci-fi, body horror, and cyberpunk today.
As Child’s Play would help to close out a decade of slashers, it would open an unyielding franchise that would garner accolades of all ages.
For this Inquiring Minds, we take a look at John Carpenter’s 1988 sci-fi/horror!
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
