1980s
Gilliam’s preferred ending to Brazil is bleak and bitter, yet because of that, it feels all the more realistic.
Newly restored: Rosa La Rose, Fille Publique deserves her second chance in the spotlight.
Filled with nostalgia for the past as well as hope for the future, Shanghai Blues is a romp worth revisiting as it re-enters theaters.
“Love Hotel,” a 1985 pinku film, stands as a funny little curiosity in the larger filmography of Shinji Sômai.
Going Down, an Australian cult classic delights in spreading graffiti and pixie dust all over Sydney’s post-punk scene.
Ape-ril is a state of mind, a commitment to the absurd, the goofy, the simian, and I’d honestly recommend you try it out.
Mobile Suit Gundam I is still as genuinely entertaining as a mecha war drama as it is a historically significant part of mecha anime history.
Tarkovsky’s work redefined how the language of cinema can be used to tell stories, especially with The Sacrifice.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!
Brats is a reminder old wounds can calcify and scab over turning into the foundation for something all the more beautiful.
With holiday season underway, Charles E. Sellier’s Silent Night, Deadly Night was the perfect way to usher in the spirit on this Horrific Inquiry.
Die Hard is not a film that just occurs during the holiday season, but rather because of it.
Scrooged skillfully blends a cocktail of valuable lessons and infectious laughter, ensuring its place as a memorable addition to the holiday film canon.
Pet Sematary feels like a good time horror film wrapped in the Stephen King charm, but it is terrors run deep and its implications devastating.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!